A man makes an unexpected appearance at his younger brother's house in the middle of the night. He needs somewhere to stay and convinces his brother and his wife that he is trouble. Or is he?

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army's favor. Eventually friendships starts to build up between the soldiers and the villagers.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

Matti is 11 years old and dreams of a family vacation in his father’s native country, Finland. He manages to get what he wants by telling a whopping lie. But once they get there, Matti, his younger brother Sami and his parents find themselves without a place to stay, no money and no car in the middle of Finnish wilderness. Only a miracle can save them – or Uncle Jussi, who has been struggling to compete with Matti’s father his whole life. This movie based on Salah Naoura’s award-winning children book offers entertainment for people of all ages.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Just in time for Valentine's Day, this special collection features four “romantically-themed,” hysterical episodes from America's #1 TV family.